Showing posts with label England. Show all posts
Showing posts with label England. Show all posts

Friday, 14 August 2015

William Cobbett, the cottager's friend

William Cobbett, English writer, democrat, and North American emigrant of the late eighteenth and early nineteenth centuries, was vitally concerned with gardening as it affected the agricultural classes. His books and opinions were known in early colonial Australia yet it is intriguing that he is rarely mentioned in modern historical accounts and his influence in Australia is yet to be fully documented.

William Cobbett M.P. in late life (1831)


The son of a publican and small-scale farmer, William Cobbett (1763-1835) grew up in the English market town of Farnham during the years of the American Wars of Independence. His father was a rare local supporter of the American Revolution and from him William seems to have inherited his love for dissident opinion and unpopular causes.

Cobbett’s interest for ornamental gardening began while working as a garden boy at Farnham Castle. A visiting gardener told him about the impressive royal gardens at Kew. He immediately decided to see them for himself, so the next morning he walked thirty miles to Richmond, and persuaded a Kew gardener to give him a job in the King’s garden. Cobbett only briefly worked at Kew before returning home to work in the fields and gardens of his home county of Surrey.

Eager to experience the world, Cobbett moved to London in 1783 and secured a clerical position in a legal firm. He soon bored of clerking and the filth of London, and joined His Majesty’s 54th Regiment of Foot and was soon dispatched overseas. Cobbett arrived in Canada in 1785, and was involved in the border disputes with the infant United States of America. Cobbett spent seven years in Canada and rose up the ranks to become a regimental sergeant major. He returned to England in 1791 and promptly left the army.

Back home he publicly campaigned against the financial and physical abuses in the army, and soon made important enemies. When threatened with libel and physical assault, he escaped with his family to France. After six months in revolutionary France, he fled in 1792 to the United States and made his home in the capital, Philadelphia. He quickly established himself as a teacher of English to French émigrés and also became a journalist and writer of political pamphlets, often writing under the pen name ‘Peter Porcupine’. During this period, Cobbett became increasingly fascinated with gardening and took great interest in horticultural developments in the infant republic.

Richard Ingrams excellent
2006 biography of Cobbett

He was subsequently sued for libel and decided to return to his homeland. Back in England, Cobbett continued his writing career and established the Political Register newspaper, which soon became the largest selling paper in the country. Being the weekly paper’s principal writer Cobbett kept a close eye on what was happening in national politics, but he was increasingly troubled in how England had changed since the Napoleonic Wars and the arrival of the industrial revolution. His developing thoughts saw the Political Register move away from populist conservatism to become the most radical newspaper printed in Britain. Cobbett – the democrat - also established a published account of debates in Parliament titled, Cobbett’s Parliamentary Debates. Several years later, after bankruptcy, Cobbett sold this pioneering publishing title to his printer, a Mr Hansard.  

In 1817 Cobbett again fled to the United States. This time his home was Long Island near New York where he set himself up as a farmer. While living in Long Island he wrote The American Gardener (1821) one of the pioneering books on horticulture published in the United States. After living in North America (in total) for seventeen years, Cobbett returned to England.

From 1821to 1826 Cobbett began his famous horseback tours of the English countryside. Cobbett’s lively accounts of these journeys were popular with his readers and were later published in Rural Rides (1830). The author’s frank realist writing style, in this classic work of English literature, certainly offers a counter view to the romantic images being created by contemporary writers and artists such as Wordsworth, Austin and Constable. While writing Rural Rides, Cobbett also published The Woodlands (1825), a book on silviculture that reflected his interest in trees.

A recent edition of Cobbett's Rural Rides

After his return to England in 1820 Cobbett established a plant nursery at Kensington where he grew many North American trees, such as the false acacia (Robinia pseudoacacia). Another American species he successfully promoted was a variety of maize which he modestly called ‘Cobbett’s Corn’. Cobbett believed that maize was a wonder crop that had the potential to transform English agriculture. The problem was that Indian Corn (as it was then known) was frost sensitive, and with only a few months of guaranteed frost-free weather in England there was insufficient time for the maize cobs to mature. Cobbett’s son discovered a dwarf strain of maize growing in a French cottage garden and obtained some seed. Trials back in England found that it grew well through England’s shorter summer. To help sell this variety Cobbett published a book titled A Treatise on Cobbett’s Corn (1828), which as a gimmick he printed on paper made from maize fibre.

Cobbett introduced the Black Locust
tree, Robinia pseudoacacia, to Britain

The 1820s was the decade that saw Cobbett’s greatest writings on garden related matters. This period saw a massive increase in the British population and a corresponding rise in the middle classes. In response, there was increased interest in learning about plants and gardening. The best known garden writer of the time was John Claudius Loudon (1783-1843), a prolific Scottish-born horticultural journalist who wrote extensively on garden matters. While Cobbett did not write as much as Loudon on garden subjects, he was no slouch either. According to Cobbett authority, Associate Professor Ian Dyke, Cobbett ‘composed for publication a remarkable thirty million words – a total doubtless unmatched in the history of English letters.’

Cobbett updated and expanded his earlier American Gardener for the local market. His English Gardener was first published in 1829 at a modest five shillings and was written for a well-heeled audience. Garden historian, Anthony Huxley compared Cobbett’s English Gardener with other contemporary garden tomes, such as Loudon’s Encyclopaedia of Gardening:
‘Compared with such, The English Gardener, with its comparative paucity of illustrations, may appear a thin, dull volume. However, its limited size must have made it a good deal cheaper, and I imagine that Cobbett’s general reputation must have encouraged people of the time to buy it.’

The English Gardener was a best seller and went through many editions up to 1860. For modern readers, the most entertaining parts of this book are Cobbett’s condemnations of certain crops such as purslane, which he describes as a ‘mischievous weed, eaten by Frenchmen and pigs when they can get nothing else.’ But by far his most despised plant was the potato, a plant introduction which Cobbett felt was indicative of the sad decline in the agricultural lands. He felt that the rural poor’s dependence on this crop, would lead to calamity. Several years after his death, he was partially proven right, with the mass deaths in Ireland which followed the spread of the potato blight.

Cobbett defined the health of the rural poor by a simple test. Happiness for a rural worker was defined by access to the three B’s – bacon, bread and beer. To Cobbett these were the three clear measures of agricultural happiness. This homespun belief may explain why Cobbett wrote Cottage Economy (1822), his best selling book during his lifetime. In this cheaply priced volume, Cobbett taught the cottager some of the skills needed to be self sufficient, including instructions on how to make bread, brew beer, keep livestock and how to weave hats out of grasses. It is highly likely that copies of this humble work accompanied many migrants bound for the English speaking colonies.

Title page of a later edition of The English Gardener


Cobbett’s influence in Australia is less known. Cobbett never visited Australia and made little mention of Australian plants and gardening in his many publications. But the Australian colonies were starved of skilled gardeners so it is understandable that there was a need for gardening advice. One of the earliest local works to provide gardening guidance was the Australian Pocket Almanack of 1825. This volume included a long extract on Cobbett’s views on successful hedge making, which had originally been published in Cobbett’s American Gardener. Apart from republished extracts, Cobbett’s garden themed books were certainly being imported into the colony during the 1820s and 30s, and possibly well into the middle years of the century. Sydney bookseller James Tegg was advertising Cobbett’s, English Gardener in the Sydney Herald in February 1837, several years after the Cobbett’s death.

An Australian garden of the mid 19th century


It is hard to say how much influence Cobbett had on early Australian gardens but looking at artistic images of productive gardens created in the early decades of the nineteenth century, many are similar to the small holdings known by Cobbett in England and North America. Gardening in the early years of the Australian colonies was mainly about survival and self efficiency rather than ornamentation, so it is logical that the writings of William Cobbett, which promoted self sufficiency for rich and poor, would have appealed to many local settlers.


This posting was first published in the May 2008 issue of Australian Garden History and is based on a lecture I gave at the Royal Botanic Gardens, Sydney, in 2006.

Thursday, 9 October 2014

The floating garden

You don't need a large garden to make an impact. Here is the floating garden created by my dear brother, Jobo. An artist, and long time garden lover, he currently lives on an old narrow boat that tours the extensive English canal network. When I caught up with him recently his boat was moored in Little Venice in North London.

Jobo's floating garden

Jobo's upper deck is covered with a large array of plants and small statues.Selections include wall flowers, spurges, succulents, herbs and annuals. As river thefts are common there are no expensive pots, but that doesn't matter as the flowers are the stars of the show. When travelling Jobo often goes through canal tunnels, because of this no large plants are used.

The Katherine on the Grand Union Canal


Sunday, 26 May 2013

Mayfield - an Australian cool climate garden

While there are many fine gardens in the Sydney area they become thin on the ground when you move west of the Blue Mountains. One notable exception is Mayfield, located near the exotically named town of Oberon in the Central Tablelands of New South Wales. Mayfield is quite an unassuming name for this park-like landscape garden, and while the owners claim to be influenced by English gardens such as Cliveden and Chatsworth, Mayfield is much more in the style of grand-gesture French gardens inspired by Versailles. Therefore the grounds are filled with fountains, water features and formal clipped hedges. A dominant design feature of the garden is the mass use of locally sourced basalt rock which is used throughout the garden for the construction of retaining walls and steps.

This stone bridge is one of the highlights of Mayfield garden

With an elevation of over 1,000 metres Mayfield can rightly claim to be a cool climate garden, and because of this the owner grows many plants and trees not normally seen in Australian gardens. The visitors brochure declares the garden as a 'botanical wonderland'. This is a big claim as I found the palette of plants rather uninspiring being largely dominated by standard landscaping favourites. Despite this, the garden includes some interesting mass plantings of maples, hydrangeas, iris and bulbs. With the exception of the well maintained rose garden most of the plants in the garden were labelled. I particularly liked the choice of plant tags which were made of small rectangular pieces of slate. These labels harmonised well with the stone and the slate roofs of many of the buildings.


Stone retaining walls is a dominant design theme in this garden

Despite being such a large garden there was surprisingly little sculpture. One of the few exceptions was the recently installed water-dripping copper tree which was sourced from the Chelsea Flower Show in London. Every good garden needs something to lure the visitor back, and while the grounds at Mayfield were well laid out they lacked personality, a problem often found in recently established landscapes. I'm sure that in time the shrubs and trees will grow giving the garden a distinctive presence, but as the garden is young (established in 1999) the owners should find something that will entice the visitor to return, such as a museum, art gallery, sculpture park or musical performances.


The copper tree fountain
Despite some reservations I take my hat off to the owner and his team of gardeners and stonemasons for their hardwork and foresight. They are creating a distinctive garden in an area lacking in fine parks and gardens.

Mayfield is open to the public for only 6 weekends a year in Spring and Autumn (check their website for future opening times) http://www.mayfieldgarden.com.au/ Be warned the garden admission charges are exorbitantly high ($25 cash only, in 2013), and the grounds are not suitable for the frail and those in wheelchairs. A moderate level of fitness (and a hat) is needed to enjoy the garden.

Friday, 12 April 2013

Garden Craftsmanship in Yew and Box

One of the treasures of my library is a 1925 book on hedge making originally owned by my maternal grandfather. Garden Craftsmanship in Yew and Box by Nathaniel Lloyd (1867-1933) is a how-to manual for the construction and maintainence of formal hedges and topiary. Formal hedges made of european yew (Taxus baccata) and Box (Buxus spp) became fashionable in late 19th century grand British gardens and Lloyd's book reflects their popularity in the following century. While the text is minimal the book includes a series of instructive photographic images showing how to maintain the formality of the planting.


An instrument for determining the batter of a hedge
photo from Garden Craftsmanship in Yew and Box 

Nathanial Lloyd based his garden advise on the hedges he laid out at his Great Dixter home in East Sussex, England, after he purchased the Tudor-era property in 1910. Many years later Great Dixter became world famous as the stunning garden of Nathaniel's youngest son, the provocative garden writer, Christopher Lloyd (1921-2006). While the gardens originally laid out by Lloyd senior have evolved into a landscape dominated by flowering plants, many of the original hedge and topiary plantings from his time survive giving the current garden structure.

Testing level of old hedge top with a short batten and spirit level
photo from Garden Craftsmanship in Yew and Box 

Not everyone appreciated Lloyd's book at the time of its publication. One harsh critic was the garden writer William Robinson (1838-1935) who described the work as 'the poorest book that so far has disgraced the garden'. Robinson, a vocal advocate of wild or natural looking gardens despised the geometric formality that Lloyd's monograph advocated. Despite this criticism, Garden Craftsmanship in Yew and Box gives valuable textbook advice to gardeners keen to have neat well grown hedges.

Peacock Garden June
The Great Dixter house and garden as it is today
photo courtesy Great Dixter Charitable Trust

Whether we like it or not hedges can be important elements in gardens. They can help delineate a landscape, provide privacy, and protect the house and garden from wild weather. The happy balance of Nathanial Lloyd's design formality and the looseness and spontaneity of his son Christopher has made Great Dixter one of the worlds great gardens. http://www.greatdixter.co.uk/

In future posts I hope to write more about hedges, topiary, Christopher Lloyd and the garden at Great Dixter.



.

Sunday, 13 January 2013

A heavenly garden

Whether you believe in an afterlife or not I think you will enjoy the following extract from Wilfrid Scawen Blunt's 1897 diaries.



... to be laid out to sleep in a garden, with running water near, and so to sleep for a hundred thousand years, then to be woke by a bird singing, and to call out to the person one loved best, 'Are you there?' and for her to answer, 'Yes, are you?' and so turn round and go to sleep again for another hundred thousand years.
Related Posts Plugin for WordPress, Blogger...